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Booth #209

John Szoke Gallery | New York City, US

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Since 1974, the John Szoke Gallery has specialized in works on paper, first publishing and dealing with contemporary artists and then, after taking a specific interest in the relationship between history and the artist, narrowing the collection’s focus to modern masters. This focus has tightened to the works of Pablo Picasso and Edvard Munch, two innovative printmakers who brought the print form to new artistic heights. With a collection this specific, the gallery can present not only editioned prints, but the process of their development, various states, color variations, proofs, and impressions pulled by different printers, illuminating the historical context of each work. The gallery’s foundation in inquiry, its interest in each artwork’s unique position in history, has forged both academic and trade-based partnerships. Throughout its over 45 years, the gallery has closely collaborated with major museums and important collectors, and has been an active member of the IFDPA (International Fine Print Dealer Association), building a worldwide reputation for expert evaluation and cataloging, dedication to research and art accessibility, and for housing the finest rare quality prints by Picasso and Munch. The range of these artworks appeal to those looking to start a collection, to active collectors, as well as to appreciators simply interested in history. All are welcome to experience the works in person at the gallery’s Fuller Building location, conveniently found on the corner of Manhattan’s 57th Street and Madison Avenue.

Image:

Le Déjeuner sur l'Herbe, Pablo Picasso

Image:

Édouard Manet, Luncheon on the Grass, 1863 © RMN (Musée d'Orsay) / Hervé Lewandowski

As the global art community honors a year of commemoration during 2023 to mark the 50 years since Picasso’s passing, the John Szoke Gallery is presenting his major graphic works at this year’s IFPDA Fair in New York City, to honor the artist who continues to inspire and excite year in year out. With the curatorial selections of prints by both Pablo Picasso and Edvard Munch, we look forward to sharing a variety of exciting themes and printmaking methods. Highlights from Picasso include the Minotauromachie and other bullfighting scenes, colorful linocuts, and variations on Venus and Cupid with a range of inspirations from Greco-Roman myth to Spanish heritage. As for Munch, we will be presenting prints depicting the rugged, beautiful Norwegian landscape as well as his tumultuous family relationships. We are thrilled for the opportunity to connect to the print collecting community. While we have selected a group of inspiring prints, please note these are just a peek into what our gallery offers. Discover more of our collection online or in person.

Exhibiting Artists

Pablo Picasso; Edvard Munch

Portrait de Jacqueline au chapeau de paille, Pablo Picasso, 1962

Linocut, 25 1/8 x 20 7/8 inches, one of twenty proofs

Le Déjeuner sur l'Herbe, Pablo Picasso, 1962

Linocut, 21 x 25 5/16 inches, one of the twenty proofs

Portrait de femme à la fraise et au chapeau, Pablo Picasso, 1962

Linocut, 13 3/4 x 10 5/8 inches, one of the twenty proofs

Jacqueline au chapeau à fleurs. II, Pablo Picasso, 1962

Linocut, 13 ¾ x 10 5/8 inches, one of the twenty proofs

Visage de Marie-Thérèse, Pablo Picasso, 1928

Lithograph, 8 x 5 1/2 inches, Edition 49 of 75

Homme dévoilant une femme, Pablo Picasso, 1931

Drypoint, 14 7/16 x 11 1/2 inches, From the edition of 260

Le Repos du Minotaure : Champagne et Amante (S.V. 83), Pablo Picasso, 1933

Etching, 7 5/8 x 10 1/2 inches, From the edition of 50

Scène bacchique au Minotaure (S.V. 85), Pablo Picasso, 1933

Etching, 11 3/4 x 14 3/8 inches, From the edition of 50

Minotaure aveugle guidé dans la Nuit par une Petite Fille au Pigeon (S.V. 96), Pablo Picasso, 1934

Etching, 9 1/2 x 11 3/4 inches, From the edition of 260

Vénus et l'amour, d'après Cranach. Deuxième variation, Pablo Picasso, 1949

Lithograph, 26 ¾ x 19 11/16 inches, one of the very few proofs

Vénus et l'amour, d'après Cranach. Troisième variation, Pablo Picasso, 1949

Lithograph, 29 15/16 x 15 inches, one of the very few proofs

Femme au chignon, Pablo Picasso, 1957

Lithograph, 21 11/16 x 17 5/16 inches, one of the very few proofs

Jacqueline de Profil à droite, Pablo Picasso, 1958

Lithograph, 22 x 17 1/4 inches, Edition 49 of 50

Picador et torero attendant le paseo de cuadrillas, Pablo Picasso, 1959

Linocut, 20 ¾ x 25 3/16 inches, one of the twenty proofs

Pique. III, Pablo Picasso, Pablo Picasso, 1959

Linocut, 20 ¾ x 25 3/16 inches, one of the twenty proofs

La Pique Cassée , Pablo Picasso, 1959

Linocut, 21 x 251⁄4 inches, one of the twenty proofs

Venus et l'amour, d'après Cranach, Pablo Picasso

Lithograph, 31 x 16 7/8 inches, Edition 8 of 50

Vénus et l ́amour (d'après Cranach), 1ère variation (Venus and Love, after Cranach), Pablo Picasso, 1949

Lithograph, 25 3/8 x 12 5/8 inches, one of the five proofs

Femme au Fauteuil No. 1 (d'après le rouge), Pablo Picasso, 1949

Lithograph, 27 3/8 x 21 3/8 inches, one of the six proofs

La Femme à la Résille (Femme aux Cheveux verts), Pablo Picasso, 1949

Lithograph, 26 x 19 5/8 inches, one of five proofs

La Célestine et sa créature entraînent le pigeon beau payeur, Pablo Picasso, 1968

Aquatint, 6 5/8 x 8 1/8 inches, one of seventeen proofs

Sérénade au Coucher du Soleil dans un Sous-Bois à la Monet, Pablo Picasso, 1968,

Sugarlift aquatint, 9 x 12 3/4 inches, Edition 38 of 50

Piken ved vinduet (The Girl at the Window), Edvard Munch, 1894

Drypoint, 8 1/2 x 6 1/4 inches

Das Kranke Kind (The Sick Child), Edvard Munch, 1894

Drypoint, 8 1/2 x 6 1/4 inches

Dagen Derpå (The Day After), Edvard Munch, 1894

Drypoint, 8 1/8 x 11 5/8 inches

Det syke barn I (The Sick Child I), Edvard Munch, 1896

Lithograph, 16 5/8 x 22 1/2 inches

Snølandskap (Winter Landscape), Edvard Munch, 1898

Woodcut, 12 1/2 x 18 inches

Snølandskap (Winter Landscape), Edvard Munch, 1898

Woodcut, 12 1/2 x 18 inches

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